Although Morocco exits in act two, his presence reverberates later via his association with Shylock and the Moorish woman whom Launce impregnates. And while Bassanio’s motives are largely mercenary, Morocco is clearly wealthy and so has no need of Portia’s money. Moreover, unlike Aragon and Bassanio, Morocco bases his choice on what he considers to be Portia’s merits, which he holds in so high an esteem that he mistakenly chooses the gold casket. For example, Morocco is the only one of the three who while deliberating on the caskets refers to Portia by name or by reference, and only he uses the word “love” while making his choice. Much textual evidence, however, suggests that Morocco is the worthiest of the three suitors who choose among the caskets in attempting to win Portia. In The Merchant of Venice, Portia seems relieved when the Prince of Morocco chooses the wrong casket-relieved at least in part because Morocco is black.
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